magic-and-moonlit-wings:

thescienceofjohnlock:

ten-and-donna:

themarysue:

humansofcolor:

prokopetz:

sarahtypeswords:

wetorturedsomefolks:

memejacker:

several-talking-corpses:

memejacker:

caligula had anime eyes

wait romans painted their marble sculptures

it looks like a cheap theme park ride mascot

yep

here’s a statue of Augustus

and here’s a reproduction of the statue with the colors restored 

i honestly think that what we consider the height of sculpture in all of Western civilization being essentially the leftover templates of gaudy pieces of theme park shit to be evidence of the potential merit of found art

“I tried coloring it and then I ruined it”

And you know what the funniest part is? The paint didn’t just wear off over time. A bunch of asshole British historians back in the Victorian era actually went around scrubbing the remaining paint off of Greek and Roman statues - often destroying the fine details of the carving in the process - because the bright colours didn’t fit the dignified image they wished to present of the the cultures they claimed to be heirs to. This process also removed visible evidence of the fact that at least some of the statues thus stripped of paint had originally depicted non-white individuals.

Whenever you look at a Roman statue with a bare marble face, you’re looking at the face of imperialist historical revisionism.

(The missing noses on a lot of Egyptian statues are a similar deal. It’s not that the ancient Egyptians made statues with strangely fragile noses. Many Victorian archaeologists had a habit of chipping the noses off of the statues they brought back, then claiming that they’d found them that way - because with the noses intact, it was too obvious that the statues were meant to depict individuals of black African descent.)

Sorry, I keep reblogging this over and over, the last comment is unbelievable. Wow.

WUT

Knowledge bomb!

Many more fig leaves in strategic places appeared thanks to the Victorians too.

Though I have read speculation elsewhere that the statues’ paint jobs were more, shall we say, delicately shaded than their modern recreations, and that the reason it’s just solid colour on the reconstructed images is because those are based on the little flecks of paint that survive … like how when you use the colour selection eyedropper on a digital image, you get the colour of that pixel, not the overall colour of that whole section.